Wednesday, May 2, 2007

NMA Reunion -- After-Action Report #1

I'm sitting at a computer in a public library in Northern Virginia. My wife and I are traveling for a few days while I decompress from the NMA reunion in Virginia Beach last week.

I'll have lots more to say when I get home in a few days, specifically about the sea stories, the incredible music and, mostly, the joy of meeting up with first-time attendees.

But while I'm here, I thought I'd report on my to-do list.

1. The tale of Tex and the fake orders to the Navy Band did not get told. At NMA reunions, sea stories flow like hot lava from Mt. Vesuvius, and you can't squeeze them all in. Besides, Tex was busy telling sea stories about me. Ouch.

2. I did play piano solos in octaves. Very high octaves and very low octaves. This was not due to my smooth and fluid technique; the piano suffered the loss of a few keys in the middle octave, so it was necessary to solo in the extreme regions. Try to imagine a piccolo and contrabassoon playing "Night Train," each in their own comfortable ranges, and you'll understand how much my solos were appreciated.

3. Lee Hudson did not attend the reunion, so I didn't have to deal with that incompetent fool breathing my air. He probably found out I was coming and spent the week hiding out in a cheap motel in western Canada, speaking in a fake French accent and wearing Groucho glasses.

4. I did attend lots of Big Band rehearsals. And jam sessions in the lounge. And bull sessions at the bar. We still swing, baby.

5. I did play Freddie Green-style guitar with a big band. The Seven O'clock Band--named for the resiliency of players who are willing to start rehearsing Rob McConnell charts at 0700 after having soared with the eagles during the previous evening--didn't have a guitar player. Enter Frank Mullen. For the second year in a row, I didn't get thrown off the bandstand.

I'll be back with more when I get home in a few days. For now: fair winds and following seas.